Subcultural sounds: micromusics of the west
WebSubcultural sounds: micromusics of the West. Hanover, NH: University Press of New England. Google Scholar Sparshott F. (1987). Aesthetics of music: Limits and grounds. In Alperson P.A. (ed.), What is music? An introduction to the philosophy of music (pp. 33–98). New York: Haven Publications. Google Scholar Swanwick K. (1994). WebSubcultural sounds : micromusics of the West by Slobin, Mark Publication date 1993 Topics Ethnomusicology Publisher Hanover, NH : University Press of New England Collection inlibrary; printdisabled; trent_university; internetarchivebooks Digitizing sponsor Kahle/Austin Foundation Contributor Internet Archive Language English xii, 127 p. ; 24 cm
Subcultural sounds: micromusics of the west
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Webas indebted to Mark Slobin’s term “micromusics” (Subcultural Sounds: Micromusics of the West) by which he means frag-ments, lullabies, tunes, extremely localized bits of expressive culture carried from the Eastern Europe pale of settlement to New York in the great migrations 1880-1940: individual Webnumerically small indigenous peoples of the North-West of Russia or Leningrad Oblast specifically. Thus, Talomerkit’s target audience predominantly consists of either Ingrians and ... ethnomusicologist Mark Slobin in his widely cited book Subcultural Sounds: Micromusics of the West (1993). He coined the word “affinity intercultures” to ...
Web1 Apr 1993 · Subcultural Sounds: Micromusics of the West. A fascinating study of subcultural musics and their cultural identities. The study of subcultural musics, what … Web28 Feb 2024 · Subcultural sounds micromusics of the West by Mark Slobin 0 Ratings 0 Want to read 0 Currently reading 0 Have read Overview View 1 Edition Details Reviews …
Web30 Jun 2024 · Müzik, Kent ve Toplumsal Değişme: İstanbul’un Eski Çeper İlçelerinden Birinde Müzik Tercihleri Üzerine Bir Araştırma Yıl 2024, Sayı 61, 107 - 123, 30.06.2024 Web7 Nov 2016 · Mark Slobin, Subcultural Sounds: Micromusics of the West(Middletown, CT: Wesleyan University Press, 1993). On parallel Traditional-Contemporary tensions within reformed Judaism, see Judah Cohen, The Making of a Reform Jewish Cantor: Musical Authority, Cultural Investment(Bloomington: Indiana University Press, 2009).
WebSubcultural Sounds: Micromusics of the West. Hanover, NH: University Press of New England. Titon, Jeff Todd. 1995. "Bi-Musicality as Metaphor." Journal of American Folklore 108 (429):287–297. http://www.jstor.org/stable/541882 1. For more on Young’s life and music, visit his website: http://www.larryyoungmusic.com/index2.html 2.
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